Now!
On the ground italicize flag of U.S. school progressive metal (Dream Theater, Symphony X) seems to have taken root in a marked … only in the last period on our virtual desk will be landed at least ten discs falling within this genre! Futile statistics aside, also present here Replosion, quintet led by brothers Galletto (guitar and drums respectively), and orbital areas of Mantua in Lombardy, Veneto and Emilia, may well be classified in the chaos of the kind mentioned above. What we believe can (and will increasingly) to this interesting group to emerge from the standard of the genre is a seemingly innate propensity to compose melodies well-aimed, that softened the difficulty and the high technical content of the songs and bring the proposal at levels more user friendly, allowing the band to avoid the trap of proposing mere exercises in style and technique. The latter is certainly present in all the work (the borrower guitarwork strongly the lesson of Romeo of Symphony X, blended with a drumming school Portnoy, amply demonstrate), but fortunately is not the only goal of the band, which seeks to move away from merely trying to put quotations in the overall sound a bit ‘of sound speed and strength drawn from the power metal (“Push Me Down”), and also some shots of elegant rock settantiano, which help to soften the
asperities in the songwriting more group, which happens, for example, in the progressive “The Unknown God”, a track where a valuable work of Hammond keyboards and straightens the fate of a piece otherwise too edgy. On balance, the proper use of power and influence choices in terms of well-aimed melodies reveal themselves in fact the true strengths of the album, projecting the most direct pieces and soaked melodies like the title track, the aforementioned “Push Me Donw “and the beautiful quasi-ballad” Starless Night “among the highlights of the album, and relegating the most difficult pieces in that niche that owns the songs that are heard many times before you understand them fully. So compared to the complex construction of “The Unknown God” and “Turn The Page” and even the final seventeen minutes of “The Ice Queen”, in which you can hear just about anything, we continue to prefer those pieces where the approach is more direct and free of constraints, those passages where the class and the energy of its five musicians have prepared a way to breathe in the complexity of the scores and the exasperated instrumental technicality. An interesting disc, then, that alternates the Labyrinth to Dream Theater and something more personal, and shows us that the full capabilities are there and what the band is ready to break, if you will make one last effort to blend the influences of their sound and smooth out those little bumps that still listen to undermine the more complex parts. For now a well-deserved praise, therefore, especially the guitarwork of great depth and good singer Phil reminds us that much in the tone (not yet in the art) the great Michele Luppi
1. Carillon
2. Resting Place of Illusion
3. Your Shame
4. The Unknown God
5. Starless Nights
6. Turn the Page
7. Push Me Down
8. The Fallen Gates
9. Ice Queen
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