Genre: Progressive rock,Rock | Label: Caroline International [CAROL016DX] | Year: 2017 | Quality: Blu-ray | Video: MPEG-4 AVC Video / 14996 kbps / 1080p / 23,976 fps / 16:9 | Audio: LPCM 2.0 / 48 kHz / 1536 kbps / 16-bit; LPCM 2.0 / 96 kHz / 4608 kbps / 24-bit; LPCM 5.1 / 96 kHz / 13824 kbps / 24-bit; DTS-HD MA5.1 / 96 kHz / 6747 kbps / 24-bit | Time: 00:59:53 | Size: 39.71 GB
• To The Bone: DTS-HD Master Audio 5.1, LPCM 96/24 5.1, LPCM 96/24 2.0[/b]
1 To The Bone
2 Nowhere Now
3 Pariah
4 The Same Asylum As Before
5 Refuge
6 Permanating
7 Blank Tapes
8 People Who Eat Darkness
9 Song Of I
10 Detonation
11 Song Of Unborn
• To The Bone (Instrumental) LPCM 96/24 2.0
12 To The Bone
13 Nowhere Now
14 Pariah
15 The Same Asylum As Before
16 Refuge
17 Permanating
18 Blank Tapes
19 People Who Eat Darkness
20 Song Of I
21 Detonation
22 Song Of Unborn
• Videos
23 Song Of I (Directed By Lasse Hoile; Feat. Sophie Hunger)
24 Pariah (Directed By Lasse Hoile; Feat. Ninet Tayeb)
• Documentary
25 Ask Me Nicely – The Making Of ‘To The Bone’ (Film Director Lasse Hoile)
Steven Wilson – vocals, guitars, bass, keyboards
Ninet Tayeb – vocals, backing vocals
David Kollar – guitars
Paul Stacey – guitar solo
Nick Beggs, Robin Mullarkey – bass
Adam Holzman – piano, clavinet, organ
Craig Blundell, Jeremy Stacey – drums
Pete Eckford – percussion
Mark Feltham – harmonica
Sophie Hunger – vocals
Jasmine Walkes – spoken word
David Kilminster – backing vocals
Dave Stewart – strings
The London Session Orchestra
Paul Draper – sequencer
To The Bone is due to be released on 18th August but is available now to pre-order in a variety of formats, including a special deluxe hard back 120 page book edition, which includes an exclusive full length CD of demos and unused songs, and a one-sided 7 inch vinyl single of a bonus instrumental song from the album sessions. Neither of these will be available anywhere else.
My fifth record is in many ways inspired by the hugely ambitious progressive pop records that I loved in my youth (think Peter Gabriel’s So, Kate Bush’s Hounds of Love, Talk Talk’s Colour of Spring and Tears for Fears’ Seeds of Love). Lyrically, the album’s eleven tracks veer from the paranoid chaos of the current era in which truth can apparently be a flexible notion, observations of the everyday lives of refugees, terrorists and religious fundamentalists, and a welcome shot of some of the most joyous wide-eyed escapism I’ve created in my career so far. Something for all the family!
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