Machinery (US) – Discography (7 releases) – 1987-2011, MP3


Genre: Heavy/Power Metal
Country of performer (group): United States
Year of publication: 1987-2011

1987 – Three-Song Demo [00:12:54]
1988 – Divide & Conquer (Demo) [00:17:14]
1991 – Waiting to Redeem (Demo) [2011 Reissue] [00:17:29]
1994 – Impulses of Aggression [00:37:39]
1997 – Reconstruction [00:37:32]
2011 – 5499 (EP) [00:17:06]
2011 – Live in New Haven 1990 (Live) [00:43:22]

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Statetrooper – The Calling 2004 (Japanese Edition +1), MP3+FLAC


As requested, here’s STATETROOPER sophomore effort “The Calling“, this Japanese Edition including an exclusive bonus track. After STATETROOPER disbanded in the ’80s, unique singer Gary Barden was pretty busy fronting or recording with several acts such as PRAYING MANTIS, SILVER COMPANY OF SNAKES, then STATETROOPER finally re-united in 2004 and put out the classy new record “The Calling”.
“The Calling” was produced by the band and Michael Voss, Barden’s bandmate in SILVER as well. Obviously, some of the songs sound a lot like Silver, they’re similarly dark and grandiose. Barden’s unique voice does leave its’ mark on them too.

Eclipse – Megalomanium II (2024

 

Swedish rockers Eclipse are thrilled to announce the release of their highly anticipated new studio album “Megalomanium II” on September 20th, 2024, via Frontiers Music Srl.

1. Apocalypse Blues
2. The Spark
3. Falling to My Knees
4. All I Want
5. Still My Hero
6. Dive Into You
7. Until the War is Over
8. Divide & Conquer
9. Pieces
10. To Say Goodbye
11. One in a Million

Erik Mårtensson – Vocals
Magnus Henriksson – Guitars
Philip Crusner – Drums
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Wilson & Wakeman – Can We Leave The Light On Longer 2024 Digi Pack

Anyone without prior knowledge of former Threshold / current Arena singer Damian Wilson and his former Headspace colleague and prog man-about-town Adam Wakeman (Ozzy Osbourne, Black Sabbath, et all), when listening to ”Can We Leave The Light On Longer?”, would be unlikely to detect any influence from beyond the mainstream singer-songwriter realm.

But as with most proggers, lofty concepts, long-form musical suites and juddery time signatures are far from the only strings to their bow. On this third albu