Fans of classic rock, Midwestern Americana and 80s American hard rock should take a listen to the album via the showcase on this site. They might just be another new band worth adding to your collection. There are a lot of big names releases this year already with plenty more to come. It’s just one of those banner years. But we must not ignore the newer bands and indie releases as it isn’t just the big boys that can deliver.
One such act is Illinois rockers Red Monday. Formed around guitarist/songwriter and producer Jim Miller and mixed and mastered by Ides Of March’s Larry Millas, with guest spots from Millas and fellow Ideas man Scott May; Red Monday produce a brand of guitar driven classic rock with an organic Midwestern feel. Sometimes the guitars break out a little more such as the spirited opener She’s On Fire and the fast paced Sanctuary and bar room rocker You Move Me.
Elsewhere on the album the sound diversifies into Tom Petty, John Kilzer and John Mellencamp territory, albeit with a more prominent guitar presence. It’s quite a varied album, but the best quality here is the production – it’s a big sound for an indie release and Millas has delivered a very balanced mix. There’s a lot to like about this album. The only small issue I have is with the vocals. Singer Rick Harris has a tone that’s not for everyone and I think takes away from a couple of songs. On others it’s no issue at all, but surprisingly Jim Miller takes lead on the upbeat southern rocker Broken Promises and I find myself preferring his voice over the main one.
That’s a small issue though and one which different folks are going to have different views on.
1. She’s On Fire
2. Brianna
3. Time (It’s About Time)
4. Isn”t That the Way
5. Closer
6. Sanctuary
7. When I Hear Your Voice
8. You Move Me
9. Why Should I Lie
10. Broken Promises
11. Man in the Mirror
12. Somebody Else
2. Brianna
3. Time (It’s About Time)
4. Isn”t That the Way
5. Closer
6. Sanctuary
7. When I Hear Your Voice
8. You Move Me
9. Why Should I Lie
10. Broken Promises
11. Man in the Mirror
12. Somebody Else
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