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Whether Johnny Cash would actually become a fan of the four musicians of BIG BALLS COWGIRL is, sometimes an open question, and is the part of the promotional information probably a little far-fetched. However, it seems the Man in Black is an important source of inspiration for the 14 songs on the new album of Lower Saxony to have been, even if BIG BALLS COWGIRL are much more rooted in traditional hard rock influences and is probably related more to the mood of individual songs. But after all: A little cash is also in “Bullet Ride”.
The free ride for a compelling album is this parallel but not what is reflected alarmingly in the first few numbers of the current publication. The quartet seems not quite sure, just like your own sound to be defined. There is plenty of good riffs here and there, sometimes a healthy basic arrangement, but the moments in which the music has a really packed, can be counted on a few fingers. Especially songs like ‘Upon My Oath’, ‘Black Soul’ and ‘one-man business’, despite their dirty colored guitars rather aimlessly as consistent and select a portion of the dilemma hovering over “Bullet Ride”. But when things get quieter, such as in ‘Autumn Sun’ and ‘Returning Home’, lacks the inspiring atmosphere that missed the se simply arranged songs just the right flair.
Ultimately thrilled “Bullet Ride” only if the accelerator times gets a bit of pressure, and the scenery is a bit snotty. The bouncer ‘See You Again in Alabama’s become perhaps because of less cramped easy-listening attitude to highlight an album that is still clearly looking for a standalone interior. In the current Constitution have BIG BALLS COWGIRL anyhow still love their problems – and this, mind you, not only in songwriting, but also on vocals item that is of the scratchy voice of front lady Catherine phased also occupies less than optimal.
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