Genre: Pop,Post Disco,SynthPop,Reggae,New Wave | Label: Island Records/Universal International Music B.V. | Year: 1980/2016 | Quality: Blu-ray Audio | Video: MPEG-4 AVC 950 kbps / 1080i / 29,970 fps / 16:9 | Audio: LPCM Audio / 2.0 / 96 kHz / 4608 kbps / 24-bit; DTS-HD MA 2.0 / 96 kHz / 3674 kbps / 24-bit; TrueHD 2.0 / 96 kHz / 3117 kbps / 24-bit | Time: 03:01:01 | Size: 18.62 GB
Tracklist:
• WARM LEATHERETTE: ORIGINAL
1. Warm Leatherette 04:29
2. Private Life 05:14
3. A Rolling Stone 03:32
4. Love Is The Drug 07:12
5. The Hunter Gets Captured By The Game 03:51
6. Bullshit 05:22
7. Breakdown 05:32
8. Pars 04:10
• LONG VERSIONS:
9. Warm Leatherette (Long Version) 05:37
10. Private Life (Long Version) 06:20
11. A Rolling Stone (Long Version) 05:44
12. Love Is The Drug (Long Version) 08:42
13. The Hunter Gets Captured By The Game (Long Version) 06:48
14. Pars (Long Version) 05:42• LONG VERSIONS, SINGLE VERSIONS AND REMIXES:
15. Private Life (Long Version 2) 07:55
16. Private Life (Dub Version) 08:06
17. She’s Lost Control (Long Version) 08:23
18. She’s Lost Control (Dub Version) 08:38
19. Love Is The Drug (Single Version) 04:41
20. Private Life (Single Version) 04:39
21. She’s Lost Control (Single Version) 03:47
22. The Hunter Gets Captured By The Game (Special Single Version) 03:22
23. Breakdown (U.S. Single Edit) 03:08
24. Pars (Single Version) 04:24
25. Pars (Dub Version) 04:42
26. Love Is The Drug (12 Single Remix) 07:24
27. Private Life (12 Single Remix) 07:06• BLU RAY BONUS TRACKS: ADDITIONAL LONG VERSIONS, SINGLE VERSIONS AND REMIXES
28. She’s Lost Control (Long Version 2) 06:43
29. She’s Lost Control (Long Version 3) 05:49
30. Love Is The Drug (Single Remix) 03:23
31. Private Life (Single Remix) 04:04
32. Warm Leatherette (Francois Kevorkian Remix) 06:28Grace Jones teamed with the great reggae production duo of Sly Dunbar and Robbie Shakespeare on this ’80 album, and made the transition from straight dance and club act into quasi-pop star with reggae and urban contemporary leaning. The single ‘Private Life’ was one of her best, and the overall album had more energy and production gloss than previous LPs that had been aimed completely at the club market. It helped that Jones seemed enthused about the session and really put herself into the songs.
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